A sun symbol made of light and blood

Some massive jellyfish had washed up at St Cyrus when we took Floof for a scamper on Sunday. The sight sparked a fragment, which isn’t much, but it’s nice to have produced something new. I suspect this belongs in the same world as the unpublished (but prone to receiving good personal rejections), genderqueer Swimming Lessons for Girls.

Jelly

It always started with the jellies. There were occasional rafts of them in all seasons, globular forms flattening like griddle cakes on the white sand without the supporting embrace of the ocean. The children would come running, screaming, “They’re coming! They’re coming!” and the old men puffed their pipes and squinted over the heather at the tideline, then settled back against the daubed walls of their houses, eyes glittering like winter sun on chop. Those were the small ones, no bigger than a forearm’s length across, innards forming patterns passed on as jumping games for eons. They baked in the sun until they were the same colour as the sand, and then the tide took them back.

But when the big ones came, crystalline orbs driven up onto the sand by waves big enough to crack rocks, the men got off their benches and put out their pipes. They went to the burn and filled their waxed pails, ensured the wet peat was banked high above the strandline and all the rooves were sodden.

Because when the big ones came, the ocean-goers, the deep swimmers, crashing ashore in storms that brought mass strandings of silver, flung birds bent, broken and bloody against the dunes, and turned unwary seals to carrion, those Others were not far behind.

In Our Masks, The Shadows

The Reinvented Heart - Tales of Futuristic Relationships, edited by Cat Rambo & Jennifer Brozek, with stories by Jane Yolen, Lisa Morton, Premee Mohamed, Seanan McGuire, Mercedes M. Yardley, Naomi Kritzer, and more
I’m thrilled to announce that my story In Our Masks, the Shadows is now available in The Reinvented Heart edited by Cat Rambo and Jennifer Brozek. It’s a story about finding love, or at least a meaningful relationship, while trying to navigate layers of arbitrary social expectations and superficial significance. Currently only the e-book has been published, and US readers can click on that first link to find some places to buy it, but UK readers will have to wait for the physical version, which will be here soon. You can pre-order it from Amazon or Blackwells.

There are a series of author interviews being released. You can check out the available ones on Cat’s YouTube channel, starting with Beth Cato. Aimee Ogden, Jane Yolen, AnaMaria Curtis and Lyda Morehouse are up there too.

Publications now available

I finally got around to updating my list of published stories to point any interested readers in the direction of where to find Ludwig, which has been out for a while (utterly shameful of me not to have updated sooner). I’d probably be quicker about these things if I weren’t so obsessive about providing lots of purchase options and trying to find ways to buy the physical copy that don’t involve amazon.

I’m also really excited by the special illustrated editions of Not All Monsters, which are now available from Rooster Republic.

These editions are only available from Rooster Republic, and will never be available anywhere else. The hardcover edition is 6×9 and has a page count of 306. This edition comes with a gloss dust jacket. The paperback is 5×8 and has a page count of 416, sporting a matte finish for the cover.

The jacket is phenomenal:

Not All Monsters dustjacket

I hope my copy turns up soon so I can admire it for a while. It is destined for my mum’s library – she is more invested in my brag shelf than I am (!!) – but with the current lockdown I won’t be seeing her any time soon.

Mad Scientist Journal interview

If you didn’t see my post on facebook or twitter, Dawn Vogel interviewed me for Mad Scientist Journal about my story Ludwig, which is forthcoming in the MSJ anthology I Didn’t Break The Lamp. I talk about felt presence, synaesthesia, and — of course! — imaginary friends.

Thanks to Dawn and Jeremy Zimmerman for letting me ramble on at length about some of my favourite topics.

Pretty Little Vampires and Ludwig find homes

I’m delighted to report the sale of my dark modern fantasy Pretty Little Vampires to Rooster Republic Press for their Not All Monsters anthology:

There are monsters in every woman’s life. And while maybe not ALL monsters are so bad, I want you to tell me about the dark and twisted ones.

PLV is a twisted but fun little tale of what happens when a woman, tired of her mundane office existence, gets rather more than she bargains for after believing something she reads on the internet. I’m really happy it has found a home with RRP. Expect this one out sometime in 2020.

I’m equally delighted to tell you that another story of mine, Ludwig, has sold to Mad Scientist Journal for their anthology I Didn’t Break the Lamp: Historical Accounts of Imaginary Acquaintances. This story is close to my heart: I was super excited by the open submissions call, and thrilled to bits to have made the cut. I’m sure Ludwig and Hedron would find lots to talk about, if they ever met.

Maybe one day they will.

This one is somewhat bittersweet, as MSJ has announced they are closing the journal. Especially with Jason Sizemore announcing that Apex Magazine is going on hiatus, it’s sad to be losing another source of stories to feed my incessant appetite. That said, with Jason focusing his prodigious editorial talents on books, and the DefCon One editorial team doing likewise, I’m sure I won’t run out of great things to read.

Brief link round-up

Clockwork Phoenix 5 Best of Apex Magazine Volume 1

Now both have launched, reviews of both Best of Apex Magazine Volume 1 and Clockwork Phoenix 5 are available. Here are a few links for the interested:

  • 365shortstories has posted reviews for all of the CP5 stories. Mike Allen has rounded them up over at Mythic Delirium. You’ll find the review of The Prime Importance of a Happy Number here.
  • Also at Mythic Delirium, Mike has posted links to a review from Andrea Johnson and to a livestream of the busy launch party.
  • There are a number of reviews of Best of Apex Volume 1 up at Goodreads, including a 4/5 star review for She Gave Her Heart, He Took Her Marrow from one reviewer (thanks, Althea Ann!).

CP5 could use some reviews up at Amazon, so if you’ve read it please consider posting a review. Every one helps!

Semi-obligatory 2016 awards post

I’ve noticed that it’s the time of year for award eligibility, so here is what I’ve got in the running for 2016 awards.

Zangao
This isn’t Skook, but it looks like him.

I had a slow year on the writing front, but She Gave Her Heart, He Took Her Marrow is eligible in the short story category and available to read for free (or you can listen to the podcast). Should you wish to cast some love in the direction of Hedron, Chancery and Skook, I could bathe in the warm fuzzies like a happy baby sea flap flap.

It also turns out this marks my first year of eligibility for the John W. Campbell Award for best new writer. My thanks to the moderators, especially David Walton, for helping me confirm that and getting my name up on the list.

Just being on there feels like an achievement!

The Clockwork Phoenix has landed

Clockwork Phoenix 4 front cover
In the flesh

I was delighted to receive my contributor copy of Clockwork Phoenix 5 a couple of days ago. It is a stunning book, and I’m not just saying that because I’m (more than slightly) biased. It arrived at work, and a couple of my colleagues were driven to remark on how nice it felt — the print quality is excellent. Although I’ve had an electronic copy for a while, I’ve been saving the other stories for when the physical copy turned up, and so far Jason Kimble‘s The Wind At His Back indicates a fantastic collection.

Clockwork Phoenix 5 back cover

This book will be released on the 5th April, and can be pre-ordered direct here (same as first link above), or from Amazon US, Amazon UK, Barnes & Noble and a few other places. If you follow the first link in this post, you’ll find all the pre-order links.

A Clockwork Phoenix 5 launch reading will take place on April 5th at 19:30 in The Brooklyn Commons Cafe at 388 Atlantic Avenue, Brooklyn, New York as part of the New York Review of Science Fiction/Hour of the Wolf Reading series. Mike Allen be there, and so will seven of the book’s 21 contributors: Rob Cameron, C. S. E. Cooney, Barbara Krasnoff, Carlos Hernandez, Sonya Taaffe, Shveta Thakrar, and A. C. Wise. All will read excerpts from their Clockwork Phoenix 5 stories. I can’t make it, owing to the presence of a large, wet, wobbly thing in which one finds fishes and whales and crabs and octopuses.

And, if you’re in book buying mood, Best of Apex Volume 1 is now in stock at Amazon UK, and presumably elsewhere. This book reprints my story from the December issue, She Gave Her Heart, He Took Her Marrow.

Help the Apex magazine fund!

Haar is what we call the sea fog here in the north east of Scotland. There are other places that have similar banks of dense, white cloud rolling in from the sea, of course; the phenomenon is not limited to this part of the world. I’ve seen something similar in San Francisco.

It plays a big part in She Gave Her Heart, He Took Her Marrow, which will be published in Apex Magazine next month, and is as much a part of the land here as the ever-shifting dunes, the tank traps and pillboxes, and the extinct volcanoes.

It was particularly splendid this week, sitting a mile or so offshore and dull grey in shadow but bright, brilliant white in the sun. I tried to take a picture, but I have yet to manage to capture an image of the haar in its full glory.

Haar
There’s something in the haar and it has a taste for cattle

The thick grey band across the horizon is the haar. It’s remarkably stable, and just sits there until conditions are right for it to come into shore.

Apex has announced a subscription drive, with a target of $5,000. As I write this, the funding rocket is showing less than $1,000.

You can find direct links to the subscription links here. It doesn’t cost much to subscribe. Most of the material is online for free anyway, but by subscribing you help make sure that there will be more great new stories from emerging and established authors. If you can’t subscribe, or can but want to do a bit more, you can always add some funds to the tip jar at the bottom of the subscription drive page.

Best of Apex Magazine Vol. 1

This is me on a sea-kayaking trip last year with Frood at Portknockie, in which we were ably guided by Sam Weir of Kayak Scotland:

Sea Kayaking at Portknockie
One of the best weekends ever.

That grin on my face is a result of being encouraged into doing things I had no idea I was able to do with the experience I had, and coming out the other side with vastly increased confidence and a burning desire to get out there, do more and go further, and have even more fun in the process.

Now you have a good idea of what my face looked like when I found out that my story She Gave Her Heart, He Took Her Marrow has been selected by Jason Sizemore and Lesley Connor for Best of Apex Volume 1. There might have been some jumping around squealing, too.

Just a bit.

To help fund the project, the Apex team is holding a raffle for a place on Carrie Cuinn’s Editing for Writers workshop, worth $100. The course is 4 weeks long, and should be a goodie.

“Editing 101” – AKA “Editing for Writers”. Identifying parts of a story, tenses and perspectives, narrative arcs, and other elements that are potentially affected by the editing process. Definitions, editing marks, using (and creating) style sheets, important style manuals, levels of editing, and fact-checking. The basics of copyediting: concepts and skills necessary for line editing (also called copyediting), relying mainly on the Chicago Manual of Style, 16th ed; editing vs. proofreading; tips for spotting tricky errors. The basics of developmental editing: what it is and isn’t, including the specifics of developmental editing in fiction. We’ll also cover rates, and working with clients, including querying about edits, maintaining an author’s voice, and related services.

As you may already know, Carrie published my story What The Water Gave Her in the Dagan Books anthology Fish, which was a huge deal for me. Carrie is putting herself through school at the moment, supporting herself with her freelance author and editor work, while raising her young son. This is a great opportunity to buy a chance to take what promises to be a great course for the sum of $3, which is less than a pint of beer or a large coffee at Haymarket’s AMT. Apex will split what they get from the raffle 50/50 with Carrie. Buying a ticket will help support both Apex and Carrie, and put you in with a chance of winning the top prize. Other prizes on offer include print copies of Women and Other Constructs by Carrie Cuinn, Starve Better by Nick Mamatas, To Each Their Darkness by Gary A. Braunbeck, and For Exposure: The Life and Times of a Small Press Publisher by Jason Sizemore.

Go on. You know you want to.

Back to Top