If you didn’t see my post on facebook or twitter, Dawn Vogel interviewed me for Mad Scientist Journal about my story Ludwig, which is forthcoming in the MSJ anthology I Didn’t Break The Lamp. I talk about felt presence, synaesthesia, and — of course! — imaginary friends.
I’ll be heading over to Dublin for WorldCon 2019 tomorrow. It’s my first WorldCon, so it’s pretty exciting!
I’m honoured to have been offered three panels and a Kaffeklatsch, so if you want to chat with me about imaginary friends, synaesthesia, fountain pens, inks with MONSTER SHEEN, hypergraphia, or anything else that takes your fancy, here’s where to find me:
16 Aug 2019, Friday 10:00 – 10:50, Level 3 Foyer (KK/LB) (CCD)
Representation of marginalised people in games.
16 Aug 2019, Friday 16:00 – 16:50, ECOCEM Room (CCD)
In recent years there has been a lot of discussion about representation of women in games, but issues of representation and experience still need greater attention across the industry. How diverse and inclusive is gaming today? What should we know and what can we do?
Laser Malena-Webber (The Doubleclicks), Sam Fleming, Elsa Sjunneson-Henry, Tanya DePass (I Need Diverse Games)(M)
Science and politics of water
17 Aug 2019, Saturday 19:00 – 19:50, Wicklow Hall-1 (CCD)
Water is life. Twisting a line from Frank Herbert: ‘He who controls the water controls the universe.’ Our planet is covered by 70% water, our bodies comprise 70% water, and most plants contain 90% water. What other roles does water play in our technologically savvy world? How has water shaped our political landscape, in a time of rising tides and warming oceans? What can we do to protect our most precious resource?
Sam Fleming (M), Darcie Little Badger, Dr Tad Daley (Citizens for Global Solutions), Paolo Bacigalupi
Older characters and older authors
18 Aug 2019, Sunday 13:00 – 13:50, Wicklow Room-3 (CCD)
A decade ago, the media would label an author of 50 as ‘older’. Today, more writers are beginning their careers in their 60s and 70s. Do these older writers write and champion older characters, or is there still pressure to appeal to a younger demographic with equally young protagonists? What are the advantages and disadvantages of becoming a full-time writer at an older age?
Kari Sperring (M), Wendy Metcalfe, Sam Fleming, Faith Hunter (Penguin Random House and Bella Rosa Books and Lore Seekers Press)