I’m thrilled to announce that my story In Our Masks, the Shadows is now available in The Reinvented Heart edited by Cat Rambo and Jennifer Brozek. It’s a story about finding love, or at least a meaningful relationship, while trying to navigate layers of arbitrary social expectations and superficial significance. Currently only the e-book has been published, and US readers can click on that first link to find some places to buy it, but UK readers will have to wait for the physical version, which will be here soon. You can pre-order it from Amazon or Blackwells.
If you didn’t see my post on facebook or twitter, Dawn Vogel interviewed me forMad Scientist Journal about my story Ludwig, which is forthcoming in the MSJ anthology I Didn’t Break The Lamp. I talk about felt presence, synaesthesia, and — of course! — imaginary friends.
There are monsters in every woman’s life. And while maybe not ALL monsters are so bad, I want you to tell me about the dark and twisted ones.
PLV is a twisted but fun little tale of what happens when a woman, tired of her mundane office existence, gets rather more than she bargains for after believing something she reads on the internet. I’m really happy it has found a home with RRP. Expect this one out sometime in 2020.
This one is somewhat bittersweet, as MSJ has announced they are closing the journal. Especially with Jason Sizemore announcing that Apex Magazine is going on hiatus, it’s sad to be losing another source of stories to feed my incessant appetite. That said, with Jason focusing his prodigious editorial talents on books, and the DefCon One editorial team doing likewise, I’m sure I won’t run out of great things to read.
I was delighted to receive my contributor copy of Clockwork Phoenix 5 a couple of days ago. It is a stunning book, and I’m not just saying that because I’m (more than slightly) biased. It arrived at work, and a couple of my colleagues were driven to remark on how nice it felt — the print quality is excellent. Although I’ve had an electronic copy for a while, I’ve been saving the other stories for when the physical copy turned up, and so far Jason Kimble‘s The Wind At His Back indicates a fantastic collection.
This book will be released on the 5th April, and can be pre-ordered direct here (same as first link above), or from Amazon US, Amazon UK, Barnes & Noble and a few other places. If you follow the first link in this post, you’ll find all the pre-order links.
A Clockwork Phoenix 5 launch reading will take place on April 5th at 19:30 in The Brooklyn Commons Cafe at 388 Atlantic Avenue, Brooklyn, New York as part of the New York Review of Science Fiction/Hour of the Wolf Reading series. Mike Allen be there, and so will seven of the book’s 21 contributors: Rob Cameron, C. S. E. Cooney, Barbara Krasnoff, Carlos Hernandez, Sonya Taaffe, Shveta Thakrar, and A. C. Wise. All will read excerpts from their Clockwork Phoenix 5 stories. I can’t make it, owing to the presence of a large, wet, wobbly thing in which one finds fishes and whales and crabs and octopuses.
This is me on a sea-kayaking trip last year with Frood at Portknockie, in which we were ably guided by Sam Weir of Kayak Scotland:
That grin on my face is a result of being encouraged into doing things I had no idea I was able to do with the experience I had, and coming out the other side with vastly increased confidence and a burning desire to get out there, do more and go further, and have even more fun in the process.
Now you have a good idea of what my face looked like when I found out that my story She Gave Her Heart, He Took Her Marrow has been selected by Jason Sizemore and Lesley Connor for Best of Apex Volume 1. There might have been some jumping around squealing, too.
Just a bit.
To help fund the project, the Apex team is holding a raffle for a place on Carrie Cuinn’s Editing for Writers workshop, worth $100. The course is 4 weeks long, and should be a goodie.
“Editing 101” – AKA “Editing for Writers”. Identifying parts of a story, tenses and perspectives, narrative arcs, and other elements that are potentially affected by the editing process. Definitions, editing marks, using (and creating) style sheets, important style manuals, levels of editing, and fact-checking. The basics of copyediting: concepts and skills necessary for line editing (also called copyediting), relying mainly on the Chicago Manual of Style, 16th ed; editing vs. proofreading; tips for spotting tricky errors. The basics of developmental editing: what it is and isn’t, including the specifics of developmental editing in fiction. We’ll also cover rates, and working with clients, including querying about edits, maintaining an author’s voice, and related services.
As you may already know, Carrie published my story What The Water Gave Her in the Dagan Books anthology Fish, which was a huge deal for me. Carrie is putting herself through school at the moment, supporting herself with her freelance author and editor work, while raising her young son. This is a great opportunity to buy a chance to take what promises to be a great course for the sum of $3, which is less than a pint of beer or a large coffee at Haymarket’s AMT. Apex will split what they get from the raffle 50/50 with Carrie. Buying a ticket will help support both Apex and Carrie, and put you in with a chance of winning the top prize. Other prizes on offer include print copies of Women and Other Constructs by Carrie Cuinn, Starve Better by Nick Mamatas, To Each Their Darkness by Gary A. Braunbeck, and For Exposure: The Life and Times of a Small Press Publisher by Jason Sizemore.
It’s only a couple of weeks until BristolCon, where I’ll be helping to launch Looking Landwards, the NewCon Press anthology containing my story When Shepherds Dream of Electric Sheep. As I’m still in the early days of my writing career, when every sale feels like a miracle, I’m a little over-excited. There aren’t many conventions in the UK compared to the busy American schedule, and I live so far north I’ve only been to one thus far.
Here’s the official publicity for the book. I’m sharing a ToC with some amazing people. Last week — despite a possibly fractured, and definitely painful wrist — I signed a ridiculous number of sheets of paper for the limited edition hardcover. I can’t wait to see this book and read the other stories.
With the impending crises of climate change, scarcity of water, dwindling energy reserves and spiraling global populations, the effective management of our land and the food it produces has never been more relevant. Established in 1938 by a small group of far-seeing and enthusiastic engineers and agriculturalists, the Institution of Agricultural Engineers provides a professional nexus for the scientists, technologists, engineers, and managers working in the many and varied forms of land-based industry.
In 1988 the IAgrE marked its 50th anniversary with a publication that considered the changing face of farming and agricultural engineering over the previous half century. In 2013, to mark their 75th anniversary, they have chosen to commission a book that looks forward at what the future might hold. To help them achieve this, they approached NewCon Press.
Looking Landwards represents NewCon Press’ first ever open submissions anthology. We have been overwhelmed by the response, receiving submissions not only from within the UK but also from the USA, Australia, mainland Europe, Africa, and Asia; from professional writers and would-be writers, from scientists and engineers who are actively involved in dealing with the book’s themes to people who have simply been inspired by them. Looking Landwards features the very best of these stories. Twenty-three works of science fiction and speculation that dare to look to the future and examine what lies ahead for farming, for agricultural engineering and for all of us.
Introduction by Andy Newbold and Chris Whetnall of the IAgrE
The Blossom Project – M Frost
Contraband – Terry Martin
When Shepherds Dream of Electric Sheep – Sam Fleming
Inversion Centre – Darren Goossens
Ode to an Earthworm – Gareth D Jones
A Touch of Frost – Renee Stern
The World Coyote Made – Jetse de Vries
Earthen – Alicia Cole
Soul Food – Kim Lakin-Smith
Charlie’s Ant – Adrian Tchaikovsky
Cellular Level – J E Bryant
My Oasis Tower – Holly Ice
Throw Back – Gill Shutt
Mary on the Edge – Steven Pirie
Landward – Den Patrick
Long Indeed Do We Live… – Storm Constantine
Tractor Time – Kate Wilson
Veggie Moon – Neal Wooten
Wheat – Kevin Burke
Blight – Dev Agarwal
Black Shuck – Henry Gee
A Season – Rebecca J. Payne
The Last Star – Nigel Edwards
About the Authors
Released 28th October 2013, Looking Landwards will be published as:
A5 paperback (ISBN 978-1-907069-59-8) Price: £11.99 (UK), $20.99 (USA)
A numbered, limited edition hardback, each copy signed by all the contributing authors(ISBN: 978-1-907069-58-1) Price: £29.99